I admit the particularity of the production of traditional Chinese furniture and recognize the characteristics of the cultural connotation. However, it still believes that it belongs to contemporary industrial manufacturing, and it produces daily necessities, but it is a bit special. We must realize that this is a kind of product that is organized according to the modern industrial production system and organized and sold according to the modern commodity circulation system. Therefore, it cannot leave the basic model of modern industry.
I have written an article about the topic of traditional Chinese furniture design and innovation. It has also been honored with the "pseudo-proposition". I have heard of "pseudo-science", I don't go to class, so I have a "pseudo" "proposition." Although it was faked, it still felt that it was not enough. So talk about this topic again.
I still think that "Chinese traditional furniture design and innovation" is a very difficult thing. Where is it difficult? First, there is no theory, let alone system support. This led to the design innovation of this field becoming a tree without soil, growing out of thin air. Second, there is no talent. Now young people are cultivated from forestry or art, have an understanding of design. They have some understanding of art. But most of them do not know much about traditional Chinese furniture.
The traditional Chinese furniture design and production history is passed down by the master, and passed down by the master. Many of them are chasing after the hand, the system framework is not obvious, or there is a certain framework but not enough, so that the employees of the enterprise are not very familiar with this. The academic community has not paid much attention to it, especially those with furniture majors are not very familiar with traditional Chinese furniture. So there are certain vacancies. At the same time, there are few people who can design and develop in the industry, which creates a bottleneck.
The "four principles" of traditional furniture design
Chinese traditional furniture is a kind of special furniture. However, when choosing a kind of wood to make a certain piece of furniture, there must be even the simplest "design".
The principle that should be grasped in traditional furniture design is first of all “in accordance with the material.†The so-called "redwood" is a very special kind of wood. Each different tree species has a big difference. The different types of enterprises in the same tree species often have great differences. This requires special attention to the use of materials. The first step in making a good piece of furniture. In other words, only good materials can have good furniture. I have seen too much furniture. It can be said that from the first sight, it can be seen that the producer has no intention. Due to the appreciation of traditional Chinese furniture, the full performance of “material beauty†is one of the important aesthetic standards. Therefore, material selection and configuration become the first step in making furniture.
The second principle is to have a strong sense of "measurement." due to several reasons. The classic style producers will have some necessary changes when they are made. I believe that as long as you move, you must re-examine the rationality of various proportional relationships. To take a step back, the size is exactly the same. Because the materials are different, the various related elements need to be re-examined. Accurate grasp of the thousand scale is the second weapon for the design and manufacture of traditional Chinese furniture.
The third principle is that innovation changes should not exceed 10% of traditional styles. Once the changes are made, the look is often uncomfortable. In other words. The “tolerance†of traditional furniture innovation design is very narrow, and a piece of furniture redesign can only be carried out in a small range. Designers have limited space for personal use. Beyond “10%†is the “Lei Pool†of traditional furniture designers, and this is the key interest point of traditional furniture design.
The fourth principle is "cannot be simplified." Nowadays, many innovative designs only symbolize the elements of some traditional furniture. This kind of thinking is a lazy way, and the result can only be ruined traditional furniture.
Breaking through the "two ways" of traditional Chinese furniture design
So difficult, what should I do? I think it is necessary to "copy" first.
Linyi is the initial stage of Chinese art advancement. Learning Chinese painting and writing brushwork are all started from Linyi. You can't recognize the true views of the predecessors on beauty without Linyi. The key to not being able to find beauty is. In those areas. The curtain is an insurmountable stage. Similarly, if the production of traditional Chinese furniture does not pass through the complete imitation of the ancients, it is difficult to understand the performance intentions of the craftsmen in the past and cannot touch the beauty.
Once, in the exhibition of Yuan Henry, Ma Weidu and Yang Boyuan Henry produced a dialogue about a chair, which further strengthened my views on this. This chair is inconspicuous, but it looks very good, especially its "Braining" section is very clever, and the arc angle and the processing of several faces can be seen that the design maker is unique. They talked about it, this is a replica of a chair that the two had rushed to acquire, and finished the imitation. I thought about it. If it is not completely imitation, we can hardly see the beauty.
The curtain is the minimum respect for the ancestors of this industry in China. There are many masters among the ancestors of artisans. Their level is no less than "the arrogance" and will not be lower than the "Big Stone". But for various reasons their names have not been passed down. However, this should not be what we learn from them. obstacle.
At this stage, the deconstruction of traditional furniture is an indispensable part of Linyi. If you have the privilege of collecting the traditional furniture of the predecessors, I think that I should learn from the German "Ike", who is the first person in this field. We will use the method that Ike used to decompose, photograph and measure this piece of furniture, so as to deeply understand the traditional furniture making. Among the folk furniture, Jin Zuo and Hui Zuo have excellent works, and they are all examples that can be learned.
Second, it needs to be “learnedâ€. In the design of traditional Chinese furniture, it is necessary to draw on the model of modern furniture design.
Since the "Bauhaus", the design and development of industrial manufacturing and product manufacturing in the world has formed a complete system. Although it is not grown in China, it has grown very well in the local area. It is an internationally-accepted, cross-industry design and development system. This system has implementation standards and support theory, which is an indispensable part of modern manufacturing. Many companies in the Chinese furniture industry have established strong R&D and design departments, have excellent teams, and are growing mature and becoming world-class institutions. However, the traditional furniture industry is still very strange to this, and it can even be said that it is basically not popular.
I admit the particularity of the production of traditional Chinese furniture. I recognize the characteristics of the cultural connotation, but still think that it belongs to contemporary industrial manufacturing, producing daily necessities. It is only a bit special. We must know that this is a kind of production organized according to the modern industrial production system. And organize sales of supplies in accordance with the modern commodity circulation system. Therefore, it cannot leave the basic model of modern industry.
Chinese furniture is a big country in the world of furniture production, and has advanced production capacity. Especially the production of wood furniture has many references for traditional furniture. The organization that designs and develops is the best reference. Needless to say, the team will avoid the blindness of research and development and avoid the blindness of plagiarism.
It will take time for the construction of traditional Chinese furniture design theories and systems. Those who are interested can work together.
Author: Chan Po Kwong, vice chairman of the National Association
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